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Stranger On A Train

According to me, the model of "the classic cinema" is respected in the movie Strangers On a Train. The movie starts on a train, where we are introduced to the two main characters, having a conversation. The subject of the conversation is basically the most important part of the setup. By listening to them, we could predict the direction that the story was going towards. Throughout the rest ....

Middle of Paper
.... wife. After doing so, he expects the protagonist to do his part of the plan, who refuses Bruno's offer because they never had planned it. The protagonist's identity is threatened because he's accused of a crime which he never committed. We could also see the presence of oedipus complex: Bruno's hatred towards his father since his childhood. The object of the protagonist's and the camera's look was usually women. When Bruno was committing the murder, we could see only her (the vic ....

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